Compare the use of studio sets to location filming in the depiction of Essay

Compare the use of studio sets to location filming in the word-painting of the city and city life in film Rear Window (1952) and i - Essay frameworkStaging depends a lot on the scope of the movies story with respect to area. there are certain movies that move from place to place. There are even movies that move from country to country. For instance, committee Impossible - Ghost Protocol, moves from Budapest to Moscow. It further moves from Dubai to India. There are also movies that clear such stories that transaction stays at one place. The recent movie, Carnage, is a good example of that. This essay compares the use of studio sets to location filming in the depiction of the city and city life in relation to 2 movies in particular i.e. Rear Window (1952) and On the Town (1949). The film, Rear Window, is a masterpiece by Alfred Hitchcock. He has a history of going at great lengths in order to make the sense of hearing feel exactly as he wanted it to feel. The plot of the movi e is centered mainly in a small(a) area of a neighborhood. The protagonist of the movie, L.B. Jeff Jefferies, played by James Stewart, is confined to his flat as his leg is broken in a racetrack accident. He stays in his apartment and looks at the people in his neighborhood. He casually observes their behaviors as they go about their lives. He is on occasion visited by his girlfriend, Lisa Fremont, played by Grace Kelly. Jeff observes very suspicious behavior of one of his neighbors, Lars Thorwald. He assumes that Thorwald has off his wife. All through the movie, Jeff never leaves his apartment except at the end when he has to struggle with Thorwald, and is thrown down his window. As the action of Rear Window is confined to a small area, Hitchcock shot the unscathed movie on a set which was specifically built for the same. The movie explores the themes of voyeurism and masculinity in crisis. As far as voyeurism is concerned, Hitchcock has used the staging almost perfectly. It i s important to note that it is high-pitchedly unlikely that Hitchcock could have found a real location in which he could have introducen what he wanted to show in the movie. He needed a very good vantage point for the protagonist. The movie opens up with a detailed view of the whole scene that the protagonist is able to look at. It is very raise to notice how the director has crammed various aspects of New Yorks urban life of that time in a closed space. In the background of the opening titles of the movie, the audience can see a window shut moving upwards. Then the camera moves out of the window, and the scene proceeds to a brief view of all the flats and the lawn that can be seen from the window. After showing the protagonists sweating head and a high temperature on a thermometerdepicting the sicknessthe scene proceeds to show the following A piece of music shaving and listening to the radio at the same time The waking up of a twain that has spent the night on the balcony A young madam changing her bra and preparing breakfast at the same time. Her movement makes it very safe to assume that she is a dancer The arms of an unseen lady drying clothes out of the windowprobably a housekeeper The broken leg of the protagonist. His broken camera and the pictures of a racetrack accident explaining without words the reason for the protagonists condition. The portrait of a lady shows that he has a girlfriend. A deeper analysis shows that the city life, as it is shown in the movie, is very fast. The